The background of Sirens ... |
From an artistic perspective, I've come to realize through my art that there are certain key aspects in painting that fascinate me. The subject and location of this series, is the perfect vehicle for what I choose to explore ... light, flow and the human form, with additional elements of surreal mystery. Instead of searching for those aspects in the real world, I've taken an active role and designed this fictional vision to suit my purpose. The sub-surface environment brings many new facets to my art and changes the rules for others.
I am now and always have been, strongly attracted to capturing a sense of flow in my painting. When contemplating the visual feel of this series, this was a major focus. While designing the Siren robes, great care was taken to select fabrics for their light, sheer and flowing characteristics in the wind and water. Long trains of fabric were trailed behind the subjects to accentuate this effect. The fashion is styled to appear self-made, in keeping with the theme. The fabrics were torn into shape, leaving a ragged, desperate edge. There is no visible stitching, seams or signs of refined construction. Each garment was draped and held in place with woven ropes of sheer fabric, that were also allowed to trail and flow. The fashion design, was a collaboration between myself and my wife Lisa, a gifted and creative costume designer. I am also attracted to inherent surreal feel of the sub-surface environment. An environment so foreign to most and one which evokes powerful emotions in viewers, based on their unique personal experience and comfort level with water. These are mythological muse presented in visions under water, set to a underlying story. That surreal platform also allows for great flexibility with composition and colour. The third important aspect is light. This unique situation, changes the way that light plays on an form. The ever-shifting surface of the water allows for light to dance over the subject, making even the simplest form interesting and a challenge to capture. Sub-surface light, is also suspended and reflected in it's own specific way. Filtered sunlight, striking tiny particles of suspended matter, amplifies the amount of light reflecting from the subject. That glow and it's inherent colour, also finds it's way into shadows, in the form of core reflections. There are many more interesting aspects that come to mind, such as contrast, colour, gravity, depth of field, reflection, anonymity, danger, mystery and joy. They all serve an interesting role and can be explored individually or in combinations, depending on the intended feel of the painting. It all ads up to an exciting and diverse creative challenge. The beautiful stars in this series are my daughter Sarah Heine and a family friend Erica Enright. Thanks to them and to Lisa for their cooperation and great contribution to Sirens. I intend to show this series as a whole in a single space, with the final works painted at life size or larger. I think it would be quite breathtaking (literally) to stand in the middle of a gallery and immerse yourself in this new world. My plan is to sell these studies to support myself for the time it takes to complete the series and the book. If something catches your eye, please feel free to ... Click to inquire |
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